Deborah Silberer
Pianist. Composer. Improviser.
Where silence meets the image, she improvises a dialogue between the piano and the shadows of silent cinema.
Deborah Silberer accompanies silent films with live improvisation, composes for theatre and cinema, and pursues a sonic exploration that pushes the boundaries of the instrument.
Based in Mexico, she performs regularly in Mexico, Belgium, and at international festivals.
Improvisation begins where the score ends. It's an act of gentle disobedience — not against music, but against habit.
The dialogue between sound and image
Accompanying a silent film is not illustrating. It's listening.
Each screening is unique. The same film, accompanied twice, never sounds the same way. That's the nature of improvisation: the film leads, the pianist follows, and something is born between the two that belongs to neither.
Metropolis
Fritz Lang, 1927Lang's visual gigantism calls for layers, rumblings, a grandeur that the piano alone cannot carry.
Chang
Cooper & Schoedsack, 1927This documentary filmed in Siam demands unprecedented sonic colours: the forest, the animals, an immersive nature.
International stages
When subjectivity freezes, it becomes a prison. Improvisation is the opposite: a subjectivity in motion, porous, attentive.
Awards
Best Music
Pantalla de CristalOriginal music for a documentary
Premio Metropolitano
Best Original MusicBest Music
Short filmsMultiple awards for short film scores
Nominations
The Glass MenagerieBest Music
What interests me is not what I know how to play. It's what I don't know yet.