Deborah Silberer

Pianist. Composer. Improviser.


Where silence meets the image, she improvises a dialogue between the piano and the shadows of silent cinema.

Deborah Silberer accompanies silent films with live improvisation, composes for theatre and cinema, and pursues a sonic exploration that pushes the boundaries of the instrument.

Based in Mexico, she performs regularly in Mexico, Belgium, and at international festivals.

Improvisation begins where the score ends. It's an act of gentle disobedience — not against music, but against habit.
Silent Cinema

The dialogue between sound and image

Accompanying a silent film is not illustrating. It's listening.

Each screening is unique. The same film, accompanied twice, never sounds the same way. That's the nature of improvisation: the film leads, the pianist follows, and something is born between the two that belongs to neither.

Metropolis

Fritz Lang, 1927

Lang's visual gigantism calls for layers, rumblings, a grandeur that the piano alone cannot carry.

Chang

Cooper & Schoedsack, 1927

This documentary filmed in Siam demands unprecedented sonic colours: the forest, the animals, an immersive nature.

Festivals and venues

International stages

Il Cinema Ritrovato
Il Cinema Ritrovato Bologne
1990s
Festival de Morelia
Festival de Morelia Mexique
2000s–2020s
Festival de Guadalajara
Festival de Guadalajara Mexique
2010s–2020s
Filmoteca de la UNAM
Filmoteca de la UNAM Mexico
2000s–2020s
Cineteca Nacional
Cineteca Nacional Mexico
2010s–2025
When subjectivity freezes, it becomes a prison. Improvisation is the opposite: a subjectivity in motion, porous, attentive.
Awards

Awards

Pantalla de Cristal

Best Music

Pantalla de Cristal

Original music for a documentary

Premio Metropolitano

Premio Metropolitano

Best Original Music

Best Music

Short films

Multiple awards for short film scores

Nominations

The Glass Menagerie

Best Music

What interests me is not what I know how to play. It's what I don't know yet.